Artwork

Charity

Charity, by Marcantonio Raimondi, ink, 1520
Charity, by Marcantonio Raimondi, ink, 1520

Charity is an ink print by the Renaissance artist Marcantonio Raimondi. It dates from 1520 and is held in the collection of the National Gallery of Art.

About this work

Overview

Created circa 1520, this copperplate engraving by Marcantonio Raimondi presents a seated woman surrounded by two infants. The composition conveys the allegorical virtue of charity, with the adult figure cradling one child while the other clings to her leg. The work exemplifies the early 16th‑century practice of translating painted designs into reproducible prints for a broader audience.

Subject & Meaning

The central female figure embodies the Christian ideal of charitable love, a theme frequently personified in Renaissance art. By positioning the children in intimate contact with the mother, the image underscores nurturing generosity and the moral obligation to care for the vulnerable, reflecting contemporary theological and moral discourse.

Technique & Style

Raimondi employs the traditional intaglio process, incising fine, parallel lines into a metal plate to render delicate folds of drapery and subtle musculature. The engraving’s tonal modulation arises from varying line density, creating a sense of volume without any pigment. This meticulous line work aligns with the High Renaissance aesthetic of balanced composition and anatomical precision.

History & Provenance

Marcantonio Raimondi, a leading Italian printmaker, often reproduced compositions by Raphael and other masters. After Raphael’s death in 1520, Raimondi continued to adapt the painter’s designs, helping to preserve and circulate them. This print likely originated from a workshop that supplied collectors and artists across Europe, contributing to the spread of Renaissance visual culture.

Context

In the early 1500s, reproductive engraving became a primary vehicle for disseminating the visual language of the High Renaissance beyond Italy. Raimondi’s work, including this depiction of charity, functioned as both educational material for artists and devotional imagery for private patrons, illustrating how print technology expanded the reach of elite artistic ideas.

Artist & collection

Portrait of Marcantonio Raimondi

Artist

Marcantonio Raimondi

Marcantonio Raimondi, often called simply Marcantonio (c. 1470/82 – c. 1534), was an Italian engraver, known for being the first important printmaker whose body of work consists largely of prints copying paintings. He…

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.