Who painted Vue du Paysage de la Maison Royalle de Saint Cir?

Vue du Paysage de la Maison Royalle de Saint Cir was painted by Jean-Baptiste Rigaud in 1746.

Where can I see Vue du Paysage de la Maison Royalle de Saint Cir?

Vue du Paysage de la Maison Royalle de Saint Cir is held by National Gallery of Art.

What movement is Vue du Paysage de la Maison Royalle de Saint Cir?

Vue du Paysage de la Maison Royalle de Saint Cir is associated with Baroque.

Artwork

Vue du Paysage de la Maison Royalle de Saint Cir

Jean-Baptiste Rigaud , 1746

Vue du Paysage de la Maison Royalle de Saint Cir is an ink print by the Baroque artist Jean-Baptiste Rigaud. It dates from 1746 and is held in the collection of the National Gallery of Art.

About this work

Overview

Vue du Paysage de la Maison Royalle de Saint Cir is an etching and engraving print by Jean-Baptiste Rigaud, dated 1746, depicting a serene rural landscape centered around a prominent royal estate.

Subject & Meaning

The scene contrasts the tranquility of nature (trees, a winding road) with human activity (people working with horses and tools, possibly in agricultural or construction efforts). The estate, accompanied by a tall church spire, is identified as an educational institution for noble girls.

Technique & Style

Rigaud's careful draftsmanship is evident in the detailed rendering of both the natural landscape and the architectural elements, characteristic of precise etching and engraving techniques of the period.

History & Provenance

Created in 1746 by Jean-Baptiste Rigaud, specific provenance details (ownership history) are not provided in the available information.

Context

The work reflects 18th-century interests in depicting everyday life alongside monumental architecture, possibly highlighting the estate's dual role in education and religious life for the nobility.

Legacy

While the broader impact or notable exhibitions of 'Vue du Paysage de la Maison Royalle de Saint Cir' are not detailed in the provided sources, it exemplifies Rigaud's contribution to the tradition of detailed landscape and architectural prints of his time.