Farfurie de formă tronconică, marginea lată ușor înclinată în sus. Decor: pe fond de roșeală pe fundul plat, un cerc de puncte albe și negre în formă de coroniță; pe perete cercuri concentrice cu motive de linii verticale, pe margine trei cercuri concentrice albe. Smalț incolor. Cromatică: fond: maro; motive: alb-gălbui; negru.

The vessel was hand-formed and painted with mineral pigments before a clear glaze was applied. The white and yellowish-white motifs were applied with precision against a dark red-brown ground, enhancing contrast. The use of dots, lines, and rings suggests a standardized decorative vocabulary, likely passed through generations of potters in the region.

This piece belongs to a tradition of Neolithic or Chalcolithic pottery from the Carpathian Basin, dated roughly between 5000–3000 BCE. Similar vessels have been recovered from settlement sites in modern-day Romania and Moldova. Its preservation indicates it was not used for daily cooking but possibly for storage or ceremonial purposes.

Contemporary ceramics from this period often feature geometric patterns, suggesting shared symbolic systems across communities. The absence of figurative art aligns with broader regional trends where abstraction dominated domestic and ritual objects. This bowl reflects a culture that valued order, repetition, and visual clarity in material culture.

The design principles seen here—concentric bands, high-contrast pigments, and non-figurative motifs—recur in later Balkan and Eastern European pottery traditions. While no direct lineage can be traced, the persistence of such forms underscores a long-standing regional aesthetic preference rooted in prehistoric craft practices.