Artwork

Hyman Marks

Hyman Marks, by Charles Balthazar Julien Févret de Saint-Mémin, ink, 1805
Hyman Marks, by Charles Balthazar Julien Févret de Saint-Mémin, ink, 1805

Hyman Marks is an ink print by the Romanticist artist Charles Balthazar Julien Févret de Saint-Mémin. It dates from 1805 and is held in the collection of the National Gallery of Art.

About this work

Overview

The work titled Hyman Marks is a black‑and‑white print created through mezzotint and engraving techniques on wove paper, later mounted to a brown wove backing. It presents a likeness of Hyman Marks, a Jewish financier, rendered in a restrained, formal style typical of early 19th‑century portraiture.

Subject & Meaning

The image portrays Marks in modest attire, his expression solemn and composed, emphasizing his professional stature rather than personal extravagance. As one of the few visual records of a Jewish financier from this period, the print offers insight into the social visibility of Jewish merchants within the broader economic landscape.

Technique & Style

Combining mezzotint’s rich tonal gradations with the linear precision of engraving, the artist achieves a nuanced surface that balances depth and clarity. The use of black ink on wove paper highlights subtle contrasts, while the mounting on a darker sheet frames the portrait and enhances its visual weight.

History & Provenance

The print was produced by Charles B. J. Févret de Saint‑Mémin, a French artist noted for his detailed portrait prints of notable individuals. Its survival in museum collections reflects both the artist’s reputation for high‑quality portraiture and the historical interest in documenting prominent financiers.

Context

Created during a time when Jewish participation in finance was expanding, the portrait aligns with a broader trend of documenting emerging economic elites. Saint‑Mémin’s focus on accuracy and dignity mirrors contemporary Enlightenment ideals about the individual’s role in society.

Legacy

Although not widely reproduced, the image remains a valuable reference for scholars studying the visual culture of Jewish business figures in the early 1800s, illustrating how print media contributed to the recognition of such individuals beyond their immediate circles.

Artist & collection

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.