Artwork
Two studies from Andrea del Sarto

Two studies from Andrea del Sarto is a watercolor work on paper by the Romanticist artist Clarkson Frederick Stanfield. It dates from 1820 and is held in the collection of the Victoria and Albert Museum.
About this work
Overview
Two small watercolour studies executed by the 19th‑century British marine painter Clarkson Frederick Stanfield copy elements from paintings by the Florentine Renaissance master Andrea del Sarto. One of the source works is the artist’s self‑portrait that resides in the Uffizi Gallery.
Subject & Meaning
The study depicts a young man wearing a dark hat and coat, his hands joined before his torso. His pallid complexion and solemn gaze convey a restrained, introspective mood, suggesting a contemplative character rather than a narrative scene.
Technique & Style
Stanfield employs a restrained palette of muted tones, limiting colour to shades of brown, gray and flesh. The light brown ground isolates the figure, while the modest brushwork and smooth washes emphasize calmness and simplicity over decorative detail.
History & Provenance
Created as part of Stanfield’s practice of copying masterworks, the studies were likely produced for study or exhibition purposes in the mid‑1800s. They remain attributed to Stanfield and are catalogued as reproductions of del Sarto’s compositions, linking British Romantic interests with Italian Renaissance sources.
Context
During the 19th century, British artists often engaged with Renaissance masters to refine their draftsmanship. Stanfield’s choice to render del Sarto’s portrait in watercolour reflects the period’s fascination with the emotional restraint of earlier art, aligning with contemporary Romantic ideals of personal feeling expressed through modest means.
Artist & collection
Artist
Clarkson Frederick Stanfield was an English artist best known for his large-scale paintings of marine art and landscapes.
















