Who painted С.Торелли. Портрет Семена Кирилловича Нарышкина. ГТГ?

С.Торелли. Портрет Семена Кирилловича Нарышкина. ГТГ was painted by Stefano Torelli in 1750.

Where can I see С.Торелли. Портрет Семена Кирилловича Нарышкина. ГТГ?

С.Торелли. Портрет Семена Кирилловича Нарышкина. ГТГ is held by Tretyakov Gallery.

What movement is С.Торелли. Портрет Семена Кирилловича Нарышкина. ГТГ?

С.Торелли. Портрет Семена Кирилловича Нарышкина. ГТГ is associated with Rococo painting.

Artwork

С.Торелли. Портрет Семена Кирилловича Нарышкина. ГТГ

Stefano Torelli , 1750

С.Торелли. Портрет Семена Кирилловича Нарышкина. ГТГ is an unspecified painting by the Rococo painting artist Stefano Torelli. It dates from 1750 and is held in the collection of the Tretyakov Gallery.

About this work

Overview

Created around 1750 by the Italian‑born painter Stefano Torelli, this oil portrait is part of the collection of Moscow’s State Tretyakov Gallery. It depicts a single figure in formal dress, rendered with careful attention to texture and colour, and set against a subdued backdrop that hints at a cloudy sky.

Subject & Meaning

The sitter is identified as Semen Kirillovich Naryshkin, a member of the Russian aristocracy. He is presented in a dark, ornamented jacket and matching hat, his expression solemn and his gaze fixed forward, conveying a sense of dignified authority typical of 18th‑century noble portraiture.

Technique & Style

Torelli employs a restrained palette of deep blues, greens and warm flesh tones, creating depth through subtle modelling. The contrast between illuminated areas of the face and the shadowed clothing suggests a chiaroscuro approach, giving the figure a three‑dimensional presence while maintaining a calm, composed atmosphere.

History & Provenance

The work entered the Tretyakov Gallery’s holdings in the early 20th century, becoming part of the museum’s extensive representation of Russian portraiture. Its attribution to Torelli rests on stylistic analysis and documentation linking the artist to court commissions during the mid‑1700s.