Who painted 百人一首天智天皇|Sympathy?

百人一首天智天皇|Sympathy was painted by Suzuki Harunobu in 1768.

Where can I see 百人一首天智天皇|Sympathy?

百人一首天智天皇|Sympathy is held by Metropolitan Museum of Art.

What movement is 百人一首天智天皇|Sympathy?

百人一首天智天皇|Sympathy is associated with Romanticism.

Artwork

百人一首天智天皇|Sympathy

Suzuki Harunobu , 1768

百人一首天智天皇|Sympathy is an ink print by the Romanticist artist Suzuki Harunobu. It dates from 1768 and is held in the collection of the Metropolitan Museum of Art.

About this work

If you're interested in learning more about this style, you might want to check out the Romanticism movement.

This painting shows a woman in a kimono standing on a balcony, looking out at a landscape. She's holding a fan and has a dog by her side. In the background, there are hills and a body of water.

The woman's kimono is decorated with flowers, and she has a small crown on her head. The dog is black and looks like it's barking. The landscape in the background is peaceful, with a few trees and hills.

The painting is done in a style that's reminiscent of Japanese art from the 18th century. If you're interested in learning more about this style, you might want to check out the Romanticism movement.

Overview

Suzuki Harunobu’s woodblock print, dated around 1768, is part of the Metropolitan Museum of Art’s collection. Executed with ink and color on paper, the work exemplifies the ukiyo-e tradition of the late Edo period, presenting a domestic scene rendered in delicate line and subtle hues.

Subject & Meaning

The image portrays a woman in a floral kimono standing on a balcony, holding a fan while a small black dog accompanies her. She gazes outward toward a tranquil landscape of hills and water, suggesting a moment of contemplation or longing within an interior setting.

Technique & Style

Harunobu employs the multicolor woodblock technique (nishiki-e), combining fine carving with layered pigments to achieve nuanced patterns on the kimono and soft atmospheric effects in the background. The composition balances foreground detail with a simplified, almost poetic rendering of nature, characteristic of mid‑18th‑century ukiyo‑e.

History & Provenance

Created in the late 1760s, the print reflects Harunobu’s mature period, when he was renowned for his elegant depictions of courtly and everyday subjects. The piece entered the Metropolitan Museum of Art’s collection through acquisition in the 20th century, where it remains catalogued under the title “百人一首　天智天皇|Sympathy.”