Prospectus Programme de l'Oeuvre

The six images employ a range of print techniques: a lithographic cover by Henri de Toulouse‑Lautrec, a woodcut by Doudelet, a wood engraving by Denis, a woodcut by Félix Vallotton, and lithographs by Édouard Vuillard and Gandara. This variety showcases the period’s experimental approach to reproduction, contrasting the fluid, tonal qualities of lithography with the linear, textural effects of wood‑based processes.

Issued in 1895, the prospectus reflects the collaborative spirit of the French printmaking community at the end of the 19th century. While the original distribution was limited to theatre patrons, later collections have acquired the sheet, preserving it as a document of both theatrical and graphic history.

The inclusion of artists such as Toulouse‑Lautrec, Vallotton, and Vuillard situates the prospectus within the vibrant network of Parisian ateliers and salons. These creators were active participants in the Symbolist and Post‑Impressionist movements, and their involvement signals the theatre’s alignment with contemporary artistic trends.