Who painted Louis XIII of France?

Louis XIII of France was painted by Unknown 19th Century in 1850.

Where can I see Louis XIII of France?

Louis XIII of France is held by National Gallery of Art.

What movement is Louis XIII of France?

Louis XIII of France is associated with Romanticism.

Artwork

Louis XIII of France

Unknown 19th Century , 1850

Louis XIII of France is an ink print by the Romanticist artist Unknown 19th Century. It dates from 1850 and is held in the collection of the National Gallery of Art.

About this work

Overview

A Latin inscription encircles the image, naming him as King of France and Prince Louis, and the artist’s signature, Compton Holland, appears at the bottom.

The work is a black‑and‑white print executed as an engraving, depicting a formally dressed male figure identified as Louis XIII of France. The portrait presents the monarch in a high collar, crowned head, and curly hair, with a decorative chain bearing a pendant. A Latin inscription encircles the image, naming him as King of France and Prince Louis, and the artist’s signature, Compton Holland, appears at the bottom.

Subject & Meaning

The portrait serves as a regal representation of Louis XIII, emphasizing his sovereign status through symbols such as the crown, ornate collar, and chain of office. The surrounding Latin titles reinforce his political authority and lineage, presenting the king as both a national ruler and a member of the royal house.

Technique & Style

Engraved with fine, closely spaced lines, the print achieves subtle gradations of tone and depth, particularly in the rendering of facial features and fabric textures. The meticulous line work creates a sense of three‑dimensionality and highlights the intricate details of the collar and chain, characteristic of early 17th‑century portrait engravings.

History & Provenance

The engraving bears the name of Compton Holland, an engraver active in the early modern period, indicating his role in producing and possibly disseminating royal portraits. The work’s format and inscriptions suggest it was intended for official or commemorative use, though specific details of its original commission or subsequent ownership remain undocumented.