Where can I see Depictions of a Shikra and a Indian oriole of Northern India?

Depictions of a Shikra and a Indian oriole of Northern India is held by Victoria and Albert Museum.

What movement is Depictions of a Shikra and a Indian oriole of Northern India?

Depictions of a Shikra and a Indian oriole of Northern India is associated with Patna School of Painting.

Artwork

Depictions of a Shikra and a Indian oriole of Northern India

Depictions of a Shikra and a Indian oriole of Northern India is a paint painting by the Patna School of Painting artist Unknown. It dates from 1820 and is held in the collection of the Victoria and Albert Museum. Two early nineteenth‑century watercolours from northern India portray a raptor and a passerine bird.

About this work

Overview

Two early nineteenth‑century watercolours from northern India portray a raptor and a passerine bird. Executed around 1820, the works are rendered on paper that now shows signs of age, including tears, faded pigments and occasional dark spots. Both pieces were later donated to a museum collection in 1929 by former civil servant Robert Scott Greenshields.

Subject & Meaning

One painting captures an Indian oriole, its bright yellow plumage set against a sparse branch with a few green leaves and grass at the base. The other depicts a shikra, a small hawk, rendered in a similarly minimal setting. The stark backgrounds focus attention on the birds themselves, reflecting a straightforward observational approach to natural subjects.

Technique & Style

Executed in watercolor, the artist employs bold, uncomplicated brushwork to define feather patterns and the birds’ distinctive beaks—the oriole’s beak rendered in a sharp pink hue. The limited colour palette and plain backdrop are characteristic of early natural history illustration, emphasizing clarity over decorative detail.

History & Provenance

The creator of the watercolours remains unidentified. After their creation in the 1820s, the paintings entered the possession of Robert Scott Greenshields, who served in the Indian Civil Service in Bengal and Assam from 1879 to 1910. Greenshields presented the works to the museum in 1929, where they have been conserved as examples of colonial‑era Indian naturalist art.