Who painted Le Baiser de Judas?

Le Baiser de Judas was painted by Unknown in 1460.

Where can I see Le Baiser de Judas?

Le Baiser de Judas is held by Museum of Fine Arts of Lyon.

What movement is Le Baiser de Judas?

Le Baiser de Judas is associated with Early Renaissance.

Artwork

Le Baiser de Judas

Unknown , 1460

Le Baiser de Judas is an unspecified painting by the Early Renaissance artist Unknown. It dates from 1460 and is held in the collection of the Museum of Fine Arts of Lyon.

About this work

Overview

Le Baiser de Judas is a painted composition that presents Jesus Christ bearing the cross, surrounded by a varied group of onlookers.

Le Baiser de Judas is a painted composition that presents Jesus Christ bearing the cross, surrounded by a varied group of onlookers. The central figure is distinguished by a light‑coloured robe and a halo, while the surrounding participants are rendered in assorted hues and hold objects such as a staff and a book. The background features a modest hill, a few trees and a clouded sky, contributing to a somber atmosphere.

Subject & Meaning

The work focuses on the moment of Christ’s journey to Calvary, emphasizing his physical burden and spiritual significance. The presence of a halo underscores his sanctity, while the surrounding figures—some appearing inquisitive, others mournful—reflect the diverse human responses to his suffering. The inclusion of everyday items, like a book, hints at the broader narrative of witness and testimony surrounding the Passion.

Technique & Style

The painter employs chiaroscuro to model forms, creating a pronounced contrast between illuminated areas and deep shadows. This handling of light gives the scene a three‑dimensional quality and directs attention toward the luminous figure of Christ. The colour palette is restrained, with muted tones for the landscape and more saturated hues for the surrounding characters, enhancing the emotional gravity of the episode.

Context

While specific details of the work’s origin are not provided, the title Le Baiser de Judas suggests a thematic link to the betrayal narrative, although the visual focus remains on the crucifixion procession. The composition aligns with traditional depictions of the Passion in Western art, where the use of chiaroscuro and a central halo were common devices for highlighting divine presence amid human drama.