Who painted Răstignirea lui Iisus/Maica Domnului cu Pruncul?

Răstignirea lui Iisus/Maica Domnului cu Pruncul was painted by Unknown in 1817.

Where can I see Răstignirea lui Iisus/Maica Domnului cu Pruncul?

Răstignirea lui Iisus/Maica Domnului cu Pruncul is held by Alba Iulia Unification National Museum.

What movement is Răstignirea lui Iisus/Maica Domnului cu Pruncul?

Răstignirea lui Iisus/Maica Domnului cu Pruncul is associated with Byzantine icon painting.

Artwork

Răstignirea lui Iisus/Maica Domnului cu Pruncul

Unknown , 1817

Răstignirea lui Iisus/Maica Domnului cu Pruncul is an unspecified painting by the Byzantine icon painting artist Unknown. It dates from 1817 and is held in the collection of the Alba Iulia Unification National Museum. Created in 1817, this panel presents a crucifixion scene framed by a dark green backdrop edged with gold.

About this work

Tiny stars and sun symbols line the top edge, while the bottom has red tassels hanging from a fringe.

This painting shows a central figure nailed to a cross, surrounded by angels and mourners. The background is dark green with gold trim, and the figures wear bright red robes with gold halos. Tiny stars and sun symbols line the top edge, while the bottom has red tassels hanging from a fringe.

The numbers "1817" appear near the bottom of the cross, matching the year this was painted. The style feels flat and symbolic, not realistic.

Look up composition to see how artists arrange figures to tell a story.

Overview

Created in 1817, this panel presents a crucifixion scene framed by a dark green backdrop edged with gold. At its center, a figure of Christ hangs on the cross, surrounded by angels and grieving figures. The composition is topped with a row of tiny stars and sun motifs, while the lower edge is adorned with red tassels.

Subject & Meaning

The central figure represents the crucified Jesus, accompanied by the Virgin Mary holding the infant, a pairing that underscores both sacrifice and maternal intercession. Angelic presences and mourners convey a narrative of divine sorrow and redemption, while the celestial symbols above suggest heavenly witness to the event.

Technique & Style

Rendered in a flat, symbolic manner, the work eschews naturalistic depth in favor of bold coloration and clear outlines. Figures are clothed in vivid red robes edged with gold halos, emphasizing sanctity. The limited palette and decorative borders reflect a devotional aesthetic common in early‑19th‑century Eastern European religious painting.

History & Provenance

The date “1817” is inscribed near the base of the cross, confirming its early‑19th‑century origin. Though specific ownership records are scarce, the piece aligns with regional iconographic traditions and likely served a liturgical or private devotional function within a church or household setting.

Artist & collection

Artist

Unknown

entity whose identity is not known

Museum

Alba Iulia Unification National Museum

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