Artwork
Sketches of Horses and Riders (recto); Sketches of Horses (verso)
Sketches of Horses and Riders (recto); Sketches of Horses (verso) is a drawing by the Baroque artist Unknown. It dates from 1604 and is held in the collection of the Cleveland Museum of Art.
About this work
Overview
This drawing features rapid, gestural sketches on both sides of a sheet of paper, depicting horses and riders on one side and horses alone on the other.
Subject & Meaning
The sketches capture various equine poses and movements, suggesting the artist's interest in studying horse anatomy and dynamics.
Technique & Style
The loose, expressive lines and rough handling of the paper indicate a spontaneous and experimental approach, characteristic of a working drawing or study.
Context
The style and technique are consistent with the Baroque period, known for its emphasis on movement and energy in art.
Artist & collection
Domestic Scene
Giacomo and Cardinal Marco, investing Andrea, Abbot of San Zeno, with his Benefice
The Nymph of Fontainebleau
Portrait of a Woman
Madonna and Child with Saints in the Enclosed Garden
Venus and Minerva
Family Group of Four on Sofa
Wall painting from Room H of the Villa of P. Fannius Synistor at Boscoreale
View of Marino (recto); Sketch for a Landscape (verso)
Romulus and Remus Found by Faustulus (recto) Concentric Circles (verso)
Three Scenes from the Passion of Christ (recto); Architectural Sketch (verso)
Torsos with Rib Cages
Sketch of Two Men and Other Various Figures (verso)
Joseph and Child (recto); Fragment of Two Figures (verso)
Chariot Drawn by Lions with Amorini (recto) Partial Architectural Study (verso)
Three Studies of Angels for a Pendentive (recto); Studies for Christ Meeting His Mother on the Road to Calvary, Studies of an Angel in a Pendentive (verso)