Artwork

Yokohama torai Amerika shonin ryoko no zu|横浜渡來亜墨利加商人旅行之図|American Merchant Strolling in Yokohama

Yokohama torai Amerika shonin ryoko no zu|横浜渡來亜墨利加商人旅行之図|American Merchant Strolling in Yokohama, by Utagawa (Gountei) Sadahide, ink, 1861
Yokohama torai Amerika shonin ryoko no zu|横浜渡來亜墨利加商人旅行之図|American Merchant Strolling in Yokohama, by Utagawa (Gountei) Sadahide, ink, 1861

Yokohama torai Amerika shonin ryoko no zu|横浜渡來亜墨利加商人旅行之図|American Merchant Strolling in Yokohama is an ink print by the Impressionist artist Utagawa (Gountei) Sadahide. It dates from 1861 and is held in the collection of the Metropolitan Museum of Art. Utagawa Sadahide's 1861 woodblock print, 'Yokohama torai Amerika shonin ryoko no zu', depicts a scene of cultural encounter.

About this work

Overview

Utagawa Sadahide's 1861 woodblock print, 'Yokohama torai Amerika shonin ryoko no zu', depicts a scene of cultural encounter. Executed in ink and color on paper, the work is part of The Metropolitan Museum of Art's collection.

Subject & Meaning

The print shows an American merchant in a black suit with a distinctive red-striped hat, accompanied by a woman in a red dress and green headscarf. A dog on hind legs stands behind the merchant, while the woman holds a stick. The interaction between the figures and the setting suggests a portrayal of early interactions between Americans and Japanese in Yokohama, a newly opened port city.

Technique & Style

Characterized by the use of woodblock print techniques, the work features bold lines, flat planes of color, and the incorporation of Japanese writing in the background. The artist's attention to detail is evident in the textures and patterns of the clothing.

History & Provenance

Created in 1861, during the early years of Yokohama's opening to international trade, the print reflects the era's cultural exchanges. It is now held in the collection of The Metropolitan Museum of Art.

Context

The work was produced amidst Japan's rapid modernization following the arrival of American Commodore Matthew Perry in 1853, which led to the opening of Yokohama to American and European trade. The print captures the initial phases of this cross-cultural contact.

Artist & collection

Portrait of Utagawa (Gountei) Sadahide

Artist

Utagawa (Gountei) Sadahide

Utagawa Sadahide , also known as Gountei Sadahide, was a Japanese artist best known for his prints in the ukiyo-e style as a member of the Utagawa school.