Artwork

Atagoshita Yabu-Kōji|東都名所 芝赤羽根之雪|Winter Landscape

Atagoshita Yabu-Kōji|東都名所 芝赤羽根之雪|Winter Landscape, by Utagawa Hiroshige, ink, 1846
Atagoshita Yabu-Kōji|東都名所 芝赤羽根之雪|Winter Landscape, by Utagawa Hiroshige, ink, 1846

Atagoshita Yabu-Kōji|東都名所 芝赤羽根之雪|Winter Landscape is an ink print by the Romanticist artist Utagawa Hiroshige. It dates from 1846 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

Atagoshita Yabu-Kōji (Winter Landscape), created in 1846 by Utagawa Hiroshige, is a woodblock print depicting a serene winter scene, characteristic of the artist's emphasis on atmospheric and seasonal effects in his landscape series.

Subject & Meaning

The print captures a quiet, snowy riverside moment, contrasting with the typical urban entertainment themes of ukiyo-e. The composition highlights the vastness of nature, with minimal human presence, underscoring the beauty of a tranquil winter landscape.

Technique & Style

Employing traditional woodblock print techniques with ink and color on paper, Hiroshige achieves depth and movement through simple lines and flat colors. The contrast between tiny figures and the expansive, snow-covered landscape further enhances the spatial sense.

History & Provenance

Part of Hiroshige's series on Edo's notable places, this work is now held in The Metropolitan Museum of Art's collection, reflecting its significance within the artist's oeuvre and the broader ukiyo-e tradition.

Context

Created during the late Edo period, this piece reflects Hiroshige's innovative approach to landscape prints, shifting focus from narrative and figures to the sublime portrayal of natural, seasonal environments.

Legacy

Atagoshita Yabu-Kōji contributes to Hiroshige's legacy as a pioneer in capturing Japan's natural beauty through ukiyo-e, influencing subsequent artistic interpretations of seasonal landscapes.

Artist & collection

Portrait of Utagawa Hiroshige

Artist

Utagawa Hiroshige

Utagawa Hiroshige (歌川 広重) or Andō Hiroshige (安藤 広重), born Andō Tokutarō (安藤 徳太郎; 1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition.