Artwork

六十余州名所図会 播磨 舞子の浜|Harima, Maiko no Hama

六十余州名所図会 播磨 舞子の浜|Harima, Maiko no Hama, by Utagawa Hiroshige, ink, 1854
六十余州名所図会 播磨 舞子の浜|Harima, Maiko no Hama, by Utagawa Hiroshige, ink, 1854

六十余州名所図会 播磨 舞子の浜|Harima, Maiko no Hama is an ink print by the Impressionist artist Utagawa Hiroshige. It dates from 1854 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

Harima, Maiko no Hama is a woodblock print created by Utagawa Hiroshige in 1854, featuring a serene coastal scene from the Harima region as part of his *Sixty Odd Provinces* series.

Subject & Meaning

The print captures a tranquil beach in Harima, with bare trees, light sand, and soft blue water, conveying a sense of peacefulness on a cloudless day. Distant buildings subtly integrate human presence into the natural landscape.

Technique & Style

Executed in ink and color on paper, the work showcases Hiroshige's later style with bold, dark lines defining elements like trees against a simple, bright color palette, characteristic of his landscape-focused compositions.

History & Provenance

Part of Hiroshige's *Sixty Odd Provinces* series, *Harima, Maiko no Hama* is now held in The Metropolitan Museum of Art's collection.

Context

Created within Hiroshige's prolific output of landscape series, this print reflects the ukiyo-e tradition's emphasis on capturing Japan's diverse natural beauty and regional identities.

Legacy

As a piece by a leading ukiyo-e artist, it contributes to Hiroshige's renowned body of work, influencing perceptions of Japanese landscapes and the development of later art movements.

Artist & collection

Portrait of Utagawa Hiroshige

Artist

Utagawa Hiroshige

Utagawa Hiroshige (歌川 広重) or Andō Hiroshige (安藤 広重), born Andō Tokutarō (安藤 徳太郎; 1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition.