Artwork

東海道五十三次 阪之下|Sakanoshita, from the series The Fifty-three Stations of the Tōkaidō Road

東海道五十三次 阪之下|Sakanoshita, from the series The Fifty-three Stations of the Tōkaidō Road, by Utagawa Hiroshige, ink
東海道五十三次 阪之下|Sakanoshita, from the series The Fifty-three Stations of the Tōkaidō Road, by Utagawa Hiroshige, ink

東海道五十三次 阪之下|Sakanoshita, from the series The Fifty-three Stations of the Tōkaidō Road is an ink print by Utagawa Hiroshige. It is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

Utagawa Hiroshige’s woodblock print titled “Sakanoshita” belongs to his extensive series depicting the fifty‑three stations along the Tōkaidō road. Executed in ink and color on paper, the image presents a tranquil stretch of the highway framed by gentle hills and a distant mountain, rendered in a horizontal format typical of the series.

Subject & Meaning

The composition centers on a modest road scene populated by three figures: two men wearing hats walk side by side, while a third individual crouches near a tree. Their small scale against the expansive landscape emphasizes the journey’s modest human presence within a broader natural setting.

Technique & Style

Hiroshige employs simple, flowing lines to suggest depth in the foliage and undulating terrain. A restrained palette of greens, blues, and earthy browns creates a soft atmosphere, while the careful placement of color blocks defines the winding path and distant mountain without excessive detail.

History & Provenance

Created in 1916, the print is part of Hiroshige’s late‑Edo period output, a time when he turned his attention from urban pleasure districts to the scenic vistas of the Tōkaidō corridor. The work was produced using traditional ukiyo‑e woodblock techniques, involving multiple carved blocks for each color.

Context

The Fifty‑three Stations series documents the cultural and geographic landmarks encountered by travelers moving between Edo (modern Tokyo) and Kyoto. “Sakanoshita” illustrates a quieter segment of the route, reflecting Hiroshige’s interest in everyday travel scenes rather than the bustling city life commonly portrayed in earlier ukiyo‑e prints.

Artist & collection

Portrait of Utagawa Hiroshige

Artist

Utagawa Hiroshige

Utagawa Hiroshige (歌川 広重) or Andō Hiroshige (安藤 広重), born Andō Tokutarō (安藤 徳太郎; 1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition.