Who painted 東都名所浅草金龍山年の市|Year End Fair at Kinryuzan Temple?

東都名所浅草金龍山年の市|Year End Fair at Kinryuzan Temple was painted by Utagawa Hiroshige in 1836.

Where can I see 東都名所浅草金龍山年の市|Year End Fair at Kinryuzan Temple?

東都名所浅草金龍山年の市|Year End Fair at Kinryuzan Temple is held by Metropolitan Museum of Art.

What movement is 東都名所浅草金龍山年の市|Year End Fair at Kinryuzan Temple?

東都名所浅草金龍山年の市|Year End Fair at Kinryuzan Temple is associated with Romanticism.

Artwork

東都名所浅草金龍山年の市|Year End Fair at Kinryuzan Temple

Utagawa Hiroshige , 1836

東都名所浅草金龍山年の市|Year End Fair at Kinryuzan Temple is an ink print by the Romanticist artist Utagawa Hiroshige. It dates from 1836 and is held in the collection of the Metropolitan Museum of Art.

About this work

Overview

Utagawa Hiroshige’s woodblock print, dated circa 1836, portrays a winter festival at Kinryūzan Temple in Asakusa, Edo. The composition captures a bustling crowd gathered before two prominent red‑pink structures whose roofs are blanketed in snow, under a muted gray sky.

Subject & Meaning

The scene records a year‑end celebration, emphasizing communal activity in a snowy urban setting. Figures, some sheltering themselves with umbrellas, convey the everyday ritual of seasonal festivity, while the temple’s architecture anchors the event in a specific religious locale.

Technique & Style

Executed in ink and color on paper, the print employs traditional ukiyo‑e woodblock methods. Hiroshige’s use of delicate washes for snow and restrained palette for the sky creates a subdued atmosphere, while bold outlines define the buildings and crowd, reflecting his landscape‑focused approach.

History & Provenance

Created during the late Edo period, the work belongs to Hiroshige’s extensive output that includes series such as *The Fifty‑three Stations of the Tōkaidō* and *One Hundred Famous Views of Edo*. It remains a representative example of his festival imagery, held in several museum collections worldwide.

Context

While ukiyo‑e often highlighted courtesans and actors, Hiroshige’s interest lay in ordinary urban scenes and seasonal change. This print, with its winter setting and public gathering, aligns with broader 19th‑century Japanese interest in documenting daily life and the natural environment.

Artist & collection

Artist

Utagawa Hiroshige

Utagawa Hiroshige (歌川広重) or Andō Hiroshige (安藤広重), born Andō Tokutarō (安藤徳太郎; 1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition.