Artwork
Lancelot Andrewes, Bishop of Winchester
Lancelot Andrewes, Bishop of Winchester is an ink print by the Baroque artist Robert Vaughan. It dates from 1657 and is held in the collection of the National Gallery of Art.
About this work
Overview
Lancelot Andrewes, Bishop of Winchester is a 1657 engraving by Robert Vaughan, portraying the bishop in a formal, detailed black-and-white portrait.
Subject & Meaning
The subject, Lancelot Andrewes, is depicted in his later years (60s), conveying gravity and authority through his attire (high collar, robe, fancy hat) and demeanor. His hands resting on a book or paper may symbolize his scholarly or religious pursuits.
Technique & Style
Executed in engraving, the work features meticulous line details, particularly in the subject's face, beard, mustache, and clothing, set against a plain background. The artist's signature (Vaughan) is discreetly included in the corner.
History & Provenance
Created in 1657, the engraving is signed by Robert Vaughan, indicating authorship. Limited provenance details are provided, focusing instead on the work's creation and attribution.
Context
As an engraving, the piece reflects 17th-century printmaking techniques. The medium allowed for potential widespread distribution, though the work's specific circulation or impact is not detailed here.
Legacy
The engraving serves as a historical record of Lancelot Andrewes' likeness and ecclesiastical status. Its enduring presence in reference materials suggests a continued interest in the bishop's legacy, though the work's broader artistic influence is not highlighted.
Artist & collection
