Artwork
Guy Little Theatrical Photograph

Guy Little Theatrical Photograph is a photographic photography by W. Walker & Sons. It dates from 1850 and is held in the collection of the Victoria and Albert Museum. This late 19th-century studio photograph depicts actor John Brougham, captured by the photography studio W.
About this work
This is a studio photo of actor John Brougham from the late 1800s. It was made by W. Walker & Sons, a photography studio.
People back then loved collecting “cartes de visite” — small photos on cardstock that fit in albums. They started in 1854 and became a big craze by the 1860s.
Look up W. Walker & Sons to see more of their work.
Overview
This late 19th-century studio photograph depicts actor John Brougham, captured by the photography studio W. Walker & Sons. The image is a representative example of theatrical portraiture during the Victorian era.
Subject & Meaning
The subject, John Brougham, was a notable actor of his time. The photograph, likely intended for distribution as a 'carte de visite' or 'cabinet card', reflects the Victorian public's interest in collecting images of performing artists.
Technique & Style
The photograph is an albumen print from a glass negative, mounted on stiff card backing, characteristic of its time. The studio setting and Brougham's posed attire suggest a formal, conventional approach to theatrical portraiture.
History & Provenance
The photograph was part of a large collection assembled by Guy Tristram Little, a collector and solicitor, who bequeathed it to the V&A. Originally attached to a printed card backing with the photographer's name, it was later mounted in an album.
Context
Created during the heyday of 'cartes de visite' (1854-1860s) and the subsequent rise of 'cabinet cards' (late 1870s), this photograph is part of a broader Victorian phenomenon of collecting portrait cards of celebrities, landmarks, and artworks.
Artist & collection
Artist
You’ve probably seen W. Walker & Sons’ photos without realizing it—those crisp, black-and-white shots of Victorian actors mid-sentence, frozen between gaslight and melodrama. Their real trick? They didn’t just document…











