Artwork

Abraham Lincoln, The President Elect, addressing the People from the Astor House Balcony, February 9, 1861

Abraham Lincoln, The President Elect, addressing the People from the Astor House Balcony, February 9, 1861 is a print by the Impressionist artist Winslow Homer. It dates from 1861 and is held in the collection of the Cleveland Museum of Art.

About this work

This sketch shows a group of men in suits standing on a rooftop balcony, waving to a crowd below.

This sketch shows a group of men in suits standing on a rooftop balcony, waving to a crowd below. The building has tall columns and a fancy railing. Some people on the street are also waving, while others hold umbrellas or hats. A lamppost stands in front of the building, and the scene looks busy and lively.

The men on the balcony appear to be giving a speech, which was common for leaders in the 1800s. The drawing captures a moment of public excitement and attention.

Next, look up Winslow Homer (American, 1836–1910) to see more of his work.

Overview

Abraham Lincoln, The President Elect, addressing the People from the Astor House Balcony, February 9, 1861, is a 1861 print by Winslow Homer, depicting a pivotal moment in Lincoln's presidential campaign.

Subject & Meaning

The print captures Lincoln addressing a crowd from the Astor House balcony, conveying the excitement and public attention surrounding his candidacy. The scene highlights the traditional 19th-century practice of leaders directly engaging with the populace.

Technique & Style

While Homer's broader oeuvre is characterized by landscape and marine subjects, this work showcases his skills as a commercial illustrator, likely executed in a more detailed and representational style to convey the event's significance.

History & Provenance

Created in 1861, the print coincides with the early stages of Lincoln's presidency and the pre-Civil War era, reflecting the political climate of the time. Specific provenance details are not provided.

Context

Part of Homer's early work as a commercial illustrator, this piece predates his establishment as a leading 19th-century American artist known for studio works and landscapes.