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Συνθηκολόγηση Ρώσων και Τουρκών στον Ποταμό Προύθο το 1771 is held by Historical & Ethnological Society of Greece.

Artwork

Συνθηκολόγηση Ρώσων και Τουρκών στον Ποταμό Προύθο το 1771

Unknown , 2009

Συνθηκολόγηση Ρώσων και Τουρκών στον Ποταμό Προύθο το 1771 is an unspecified painting by Unknown. It dates from 2009 and is held in the collection of the Historical & Ethnological Society of Greece. The work depicts the 1771 encounter between Russian and Ottoman forces on the Pruth River.

About this work

To learn more about this style of painting, look into the technique of sfumato.

This painting shows a scene of Russians and Turks on the Pruth River in 1771.
It's a historical moment.
The painting is detailed and colorful.
The scene is busy with people and horses.
It looks like a important event is happening.

The painting tells us about a specific moment in history.
It's not just a random scene, it's a real event.

To learn more about this style of painting, look into the technique of sfumato.

Overview

The work depicts the 1771 encounter between Russian and Ottoman forces on the Pruth River. Rendered as an oil print on muslin, the image captures a moment of diplomatic or military significance, presenting a densely populated scene with figures and horses in vivid colour.

Subject & Meaning

The composition records a specific historical episode, illustrating the interaction—likely a negotiation or standoff—between the two empires on the riverbank. By foregrounding both armies, the image emphasizes the tension and complexity of the Russo‑Turkish relations of the early eighteenth century.

Technique & Style

Executed as an oil print (ελαιογραφία) on a muslin substrate, the piece employs fine brushwork to render intricate details of clothing, weaponry, and equine forms. The colour palette is rich, and the handling of light suggests a subtle gradation reminiscent of sfumato, softening edges and unifying the crowded tableau.

History & Provenance

Created to commemorate the 1771 Pruth River event, the print was produced shortly after the incident, likely for dissemination among contemporary audiences. Its survival on muslin indicates it was intended for limited circulation rather than a large‑scale public display.