Altar mit der Schönen Maria von Regensburg

Executed in black-and-white, the drawing features intricate, architectural framing with swirls, arches, and carvings, evoking a stage-like setting. This style, common in Renaissance church art, emphasizes balance, symbolism, and the grandeur of religious themes.

Created in 1520 by Albrecht Altdorfer, the work reflects his Danube School affiliation and connection to the detailed engraving traditions of the Nuremberg Little Masters, though specific provenance details are not provided.

Within the broader Renaissance movement, this piece exemplifies the era's shift towards incorporating vivid landscapes and detailed architectural elements into religious art, a hallmark of Altdorfer's innovative approach.

As one of Altdorfer's notable works, it contributes to the Danube School's influence on subsequent European artistic developments, particularly in the integration of landscape into religious and historical themes.