Artwork

Triumphal Altar with Stages in the Life of Christ

Triumphal Altar with Stages in the Life of Christ, by Daniel Hopfer, ink, 1518
Triumphal Altar with Stages in the Life of Christ, by Daniel Hopfer, ink, 1518

Triumphal Altar with Stages in the Life of Christ is an ink print by the Renaissance artist Daniel Hopfer. It dates from 1518 and is held in the collection of the National Gallery of Art.

About this work

Overview

Triumphal Altar with Stages in the Life of Christ is a two-sheet etching created by Daniel Hopfer around 1518. Executed on iron plates, a medium Hopfer adapted from his steel plate armor production background, the print combines etched lines with open biting to achieve varied tonal effects.

Subject & Meaning

The print depicts a multi-layered religious scene on a towering, ornate altar. Figures and scenes from the Life of Christ are arranged in stages, culminating in a central crowned saint at the top and a crucifixion scene below, conveying a narrative progression of Christian theology.

Technique & Style

Hopfer utilized sharp, precise etched lines and open biting to create deep shadows and intricate textures, evoking a carved stone appearance. The technique allowed for expressive contrasts, with fine details such as scrollwork and small figures adding depth to the composition.

History & Provenance

Daniel Hopfer, a pivotal yet historically overlooked German artist, pioneered etching in printmaking around 1500. This work showcases his innovation with iron plates, distinguishing it from his contemporaneous woodcut productions.

Legacy

Triumphal Altar with Stages in the Life of Christ contributed significantly to establishing etching as a viable commercial printmaking practice, influencing the development of print publishing in the early 16th century.

Artist & collection

Portrait of Daniel Hopfer

Artist

Daniel Hopfer

Daniel Hopfer (c. 1470 – 1536) was a German artist who is widely believed to have been the first to use etching in printmaking, at the end of the 15th century. He also worked in woodcut. Although his etchings were…

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.