Artwork
Salome empfängt das Haupt Johannes des Täufers

Salome empfängt das Haupt Johannes des Täufers is an unspecified painting by the Early Baroque Italian artist Alessandro Turchi. It dates from 1613 and is held in the collection of the Bavarian State Painting Collections.
About this work
Overview
Alessandro Turchi’s 1613 canvas, titled *Salome empfängt das Haupt Johannes des Täufers*, presents a violent biblical episode in a compact composition of five figures. The work belongs to the collection of Munich’s Alte Pinakothek and exemplifies the early Baroque interest in dramatic narrative and stark visual contrast.
Subject & Meaning
The painting captures the moment Salome receives the severed head of John the Baptist. A nude male figure clutches the head, while Salome, dressed in a red‑gold gown, looks down at it. A woman in white supports a platter on which the head rests, suggesting the ritual presentation of the martyr’s trophy and underscoring themes of betrayal and martyrdom.
Technique & Style
Turchi employs chiaroscuro to heighten tension: illuminated faces contrast with deep shadows, directing the viewer’s eye toward the calm head on the platter amid the surrounding turmoil. The use of strong directional light and muted background figures reflects the early Baroque emphasis on emotional immediacy and theatricality.
History & Provenance
Born in Verona, Turchi was active there before moving to Rome, where he continued to work in the Baroque idiom. The painting entered the Alte Pinakothek’s holdings in the 19th century, where it remains part of the museum’s representation of Italian Baroque art.
Context
The work aligns with contemporary depictions of the Salome narrative, a popular subject for its moral and visual potency. Turchi’s treatment, with its stark lighting and focused group of figures, reflects the period’s shift toward dynamic storytelling and the exploration of human emotion within sacred themes.
Artist & collection
Artist
Alessandro Turchi (1578 – 22 January 1649) was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome.


















