Artwork

Long Melford Green on a Frosty Morning, Suffolk

Long Melford Green on a Frosty Morning, Suffolk, by Stanley Roy Badmin, watercolor, 1940
Long Melford Green on a Frosty Morning, Suffolk, by Stanley Roy Badmin, watercolor, 1940

Long Melford Green on a Frosty Morning, Suffolk is a watercolor work on paper by Stanley Roy Badmin. It dates from 1940 and is held in the collection of the Victoria and Albert Museum.

About this work

Stanley Roy Badmin painted Long Melford Green on a Frosty Morning in 1940 using watercolour.

Stanley Roy Badmin painted Long Melford Green on a Frosty Morning in 1940 using watercolour. He focused on how the cold season changed the scene. The work shows a village green in Suffolk topped by the tall Church of the Holy Trinity.

Badmin loved seasonal shifts and often painted them. He made this piece just before starting a big project on British trees. Sadly, the elms he painted later died from disease.

Check out more watercolours by Badmin at the Victoria and Albert Museum.

Overview

Long Melford Green on a Frosty Morning, Suffolk is a 1940 watercolour by Stanley Roy Badmin, capturing a winter scene in the Suffolk village of Long Melford, with its distinctive elongated village green and the prominent Church of the Holy Trinity.

Subject & Meaning

The artwork's primary subject is the transformation of the village green under frosty conditions, reflecting Badmin's fascination with seasonal changes. The composition is dominated by a group of elm trees, which, ironically, would later succumb to Dutch elm disease.

Technique & Style

Executed in watercolour, the piece showcases Badmin's skill in conveying the subtleties of winter light and atmosphere. The medium's transparency and fluidity are leveraged to capture the frosty morning's serene and chilly ambiance.

History & Provenance

Painted in 1940, this work precedes Badmin's involvement in illustrating 'Trees in Britain' (published in 1942). The original elms depicted in the painting are no longer present on Long Melford Green due to Dutch elm disease.

Context

Long Melford's historical development, centered around the wool trade, is subtly contextualized by the painting's focus on its architectural and natural landmarks, such as the Church of the Holy Trinity and the erstwhile elm trees.

Artist & collection

Artist

Stanley Roy Badmin

Stanley Roy Badmin painted detailed English landscapes and townscapes in watercolour during the early 1940s.