The Upper Section of a Church with a Hexagonal Dome and Two Towers

Characterized by tiny, expressive brushstrokes, the work captures the textured quality of the stone, reflecting an observational approach likely informed by outdoor painting sessions.

Part of a collection of 53 sketches by Carlevarijs, this piece was initially created in the open air, with figures intended for later integration into more formal compositions.

Originally part of an album, its creation context suggests a preparatory study for larger, more composed artworks, highlighting the artist's working method.

Now housed at the Victoria and Albert Museum, the painting remains accessible for public viewing, offering insight into Carlevarijs's preparatory techniques and observational skills.