Artwork

Pastorale

Pastorale, by Charles Jacque, 1864
Pastorale, by Charles Jacque, 1864

Pastorale is a print by the Impressionist artist Charles Jacque. It dates from 1864 and is held in the collection of the Cleveland Museum of Art.

About this work

Overview

Pastorale is a black-and-white print created by Charles-Émile Jacque in 1864. The work depicts a serene rural scene featuring two individuals, sheep, and a dog under a tree, emphasizing everyday country life.

Subject & Meaning

The print showcases a tranquil pastoral moment, with one figure leaning on a staff and another resting, both overseeing grazing sheep. A vigilant dog lies in the shade. The composition highlights the quiet, unposed aspects of rural existence, characteristic of Jacque’s emphasis on authentic country scenes.

Technique & Style

As a member of the Barbizon School, Jacque’s *Pastorale* reflects the group’s realism and focus on landscape and rural themes. His background as a map engraver (gained during seven years of military service) likely influenced his etching technique, though specific methods used in *Pastorale* are not detailed here.

History & Provenance

Created in 1864 by Charles-Émile Jacque, a French painter and engraver, *Pastorale*’s provenance details are not provided in the available information.

Context

*Pastorale* aligns with the broader Realist movement, which sought to depict life truthfully. Jacque’s association with the Barbizon School further situates the work within a tradition of French artists exploring rural life and landscapes in the 19th century.

Legacy

While *Pastorale* does not stand out as a singularly defining work of Jacque or the Barbizon School, it contributes to the collective legacy of 19th-century Realist art, particularly in its portrayal of unromanticized rural life.

Artist & collection

Portrait of Charles Jacque

Artist

Charles Jacque

Charles-Émile Jacque (23 May 1813 – 7 May 1894) was a French painter of Pastoralism and engraver who was, with Jean-François Millet, part of the Barbizon School. He first learned to engrave maps when he spent seven years in the French Army.

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.