Artwork

'Figure of Anubis', Egypt, 664-525 BCE, 'Resting', ca 1870-1873 by James McNeil Whistler and 'Figurine of the Goddess Neith', 664-525 BCE or later, from the Charles Lang Freer Collection

'Figure of Anubis', Egypt, 664-525 BCE, 'Resting', ca 1870-1873 by James McNeil Whistler and 'Figurine of the Goddess Neith', 664-525 BCE or later, from the Charles Lang Freer Collection, by Alvin Langdon Coburn, photographic, 1909
'Figure of Anubis', Egypt, 664-525 BCE, 'Resting', ca 1870-1873 by James McNeil Whistler and 'Figurine of the Goddess Neith', 664-525 BCE or later, from the Charles Lang Freer Collection, by Alvin Langdon Coburn, photographic, 1909

'Figure of Anubis', Egypt, 664-525 BCE, 'Resting', ca 1870-1873 by James McNeil Whistler and 'Figurine of the Goddess Neith', 664-525 BCE or later, from the Charles Lang Freer Collection is a photographic photography by Alvin Langdon Coburn. It dates from 1909 and is held in the collection of the Victoria and Albert Museum. This photograph, taken around 1870-1873, captures a framed painting flanked by two ancient Egyptian statues, mounted on a dark background.

About this work

Overview

This photograph, taken around 1870-1873, captures a framed painting flanked by two ancient Egyptian statues, mounted on a dark background.

Subject & Meaning

The photograph features a blurred portrait painting between two statues: Anubis, the jackal-headed god associated with mummification, and Neith, a goddess. The statues date to 664-525 BCE, while the painting's date is unknown.

Technique & Style

The photograph showcases Whistler's experimentation with arrangement and atmosphere, using a dark background and a faintly outlined figure to create a contemplative mood.

History & Provenance

The photograph is part of the Charles Lang Freer Collection and features statues from ancient Egypt, highlighting the cultural exchange and collecting practices of the time.

Artist & collection

Artist

Alvin Langdon Coburn

Alvin Langdon Coburn kept a tiny camera in every coat pocket, snapping odd angles of London’s streets while pretending to window-shop.