Artwork
Pfälzische Landschaft mit Herde

Pfälzische Landschaft mit Herde is an unspecified painting by the Rococo painting artist Daniel Hien. It dates from 1749 and is held in the collection of the Bavarian State Painting Collections.
About this work
Overview
Created in 1749 by Daniel Hien, this oil painting titled “Pfälzische Landschaft mit Herde” is part of the collection of the Alte Pinakothek.
Created in 1749 by Daniel Hien, this oil painting titled “Pfälzische Landschaft mit Herde” is part of the collection of the Alte Pinakothek. The work presents a quiet rural scene in which a herd of cows and goats occupies the foreground, framed by trees and a distant settlement. A solitary figure, likely a shepherd, can be seen attending the animals, contributing to the composition’s calm atmosphere.
Subject & Meaning
The composition centers on pastoral life, emphasizing the harmonious relationship between livestock and their caretaker within a natural landscape. The inclusion of a small village on the horizon suggests a broader community context, while the tranquil setting reflects an idealized view of 18th‑century agrarian existence, inviting contemplation of simplicity and stability.
Technique & Style
Hien employs a balanced arrangement of figures and foliage, using muted earth tones to convey the softness of the countryside. The brushwork is restrained, allowing fine details—such as the texture of animal coats and the outlines of distant buildings—to emerge without disrupting the overall serenity. The perspective recedes gently, guiding the eye from the herd to the far‑off settlement.
History & Provenance
The painting entered the Alte Pinakothek’s holdings, though the precise acquisition path remains undocumented in public records. Its presence in the museum situates it among other German Baroque and Rococo works, offering insight into regional landscape painting practices of the mid‑18th century.
Context
During the 1740s, German artists increasingly turned to local scenery, moving away from idealized classical motifs toward depictions of everyday rural life. Hien’s work reflects this trend, portraying a specific Palatinate setting that would have been familiar to contemporary viewers, while also aligning with broader European interests in pastoral genre scenes.
Artist & collection
















