Who painted Aux bains Deligny?

Aux bains Deligny was painted by Honoré Daumier in 1858.

Where can I see Aux bains Deligny?

Aux bains Deligny is held by National Gallery of Art.

What movement is Aux bains Deligny?

Aux bains Deligny is associated with Impressionism.

Artwork

Aux bains Deligny

Honoré Daumier , 1858

Aux bains Deligny is an ink print by the Impressionist artist Honoré Daumier. It dates from 1858 and is held in the collection of the National Gallery of Art.

About this work

Check out another print by Daumier, Honoré if you like this sharp, funny take on modern life.

This lithograph shows a busy scene at a Paris swimming spot called Deligny’s Baths. People climb a wooden ladder in and out of the water. The artist piles up small figures like puzzle pieces to show how crowded it got.

Daumier loved poking fun at daily life. He made this print in 1858, years before the newer bathing craze. The marks on the stone catch quick gestures—one figure looks like he’s about to slip.

Check out another print by Daumier, Honoré if you like this sharp, funny take on modern life.

Overview

Aux bains Deligny is a lithograph created by Honoré Daumier in 1858, depicting a crowded scene at a public swimming pool in Paris.

Subject & Meaning

The print shows individuals engaging in various activities at Deligny’s Baths, a popular swimming spot. Daumier's work is characterized by its humorous take on everyday life, capturing the dynamic interactions among the bathers.

Technique & Style

Daumier's lithograph is notable for its expressive figures and the artist's ability to convey movement through quick gestures. The composition is achieved by layering small figures, creating a sense of density and activity.

Context

Created in 1858, this work predates the later bathing culture craze, offering a glimpse into the social habits of the time. Daumier's satirical approach to daily life is evident in the print's depiction of the bustling pool scene.

Artist & collection

Artist

Honoré Daumier

Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.