Artwork

Cérémonie imposante du scrutin

Cérémonie imposante du scrutin, by Honoré Daumier, ink, 1849
Cérémonie imposante du scrutin, by Honoré Daumier, ink, 1849

Cérémonie imposante du scrutin is an ink print by the Romanticist artist Honoré Daumier. It dates from 1849 and is held in the collection of the National Gallery of Art.

About this work

Overview

Cérémonie imposante du scrutin is a lithograph by Honoré Daumier, satirically portraying a political assembly through exaggerated caricatures, emphasizing the absurdity of formal political proceedings.

Subject & Meaning

The print depicts a crowded, all-male gathering of suited political figures, ridiculing their postures and expressions. The scene highlights the theatricality of political rituals, with some figures engaged in comical toasting, underscoring Daumier's critique of political pomp.

Technique & Style

Executed in expressive black and white, the lithograph features thick, scratchy lines, distorted facial features, and exaggerated body language, enhancing the humorous and satirical tone of the piece.

History & Provenance

Originally published in a magazine, this print was part of Daumier's use of the press to satirize contemporary political leaders, reflecting its dual role as both art and social commentary in its time.

Context

Created amidst the political climate of 19th-century France, the work exemplifies Daumier's penchant for turning political critique into public spectacle through accessible mediums like lithography.

Legacy

While specific lasting impacts of 'Cérémonie imposante du scrutin' are not detailed, it contributes to Daumier's broader legacy as a satirical artist who effectively used lithography to engage the public with political commentary.

Artist & collection

Portrait of Honoré Daumier

Artist

Honoré Daumier

Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.