Artwork

Le Temps éprouvant lui aussi le besoin de s'équiper a la mode

Le Temps éprouvant lui aussi le besoin de s'équiper a la mode, by Honoré Daumier, ink, 1867
Le Temps éprouvant lui aussi le besoin de s'équiper a la mode, by Honoré Daumier, ink, 1867

Le Temps éprouvant lui aussi le besoin de s'équiper a la mode is an ink print by the Impressionist artist Honoré Daumier. It dates from 1867 and is held in the collection of the National Gallery of Art.

About this work

The image depicts a man with a long white beard and hair, wearing a black hat and a dark robe.

The image depicts a man with a long white beard and hair, wearing a black hat and a dark robe. He is standing on a cloud, holding a scythe in his right hand and a long stick in his left. The man's face is contorted in a mixture of pain and effort. A pair of large wings protrude from his back, and he appears to be struggling to move forward.

In the foreground, a few clouds are visible, and the background is a light beige color. The overall atmosphere of the image is one of struggle and determination.

The image is a lithograph by Honoré Daumier, created in 1867. It is an example of Realism and Impressionism. To learn more about the artist's use of lithography, explore the technique of lithography.

Overview

Created in 1867, this lithograph by Honoré Daumier portrays a bearded figure perched upon a cloud, clutching a scythe in one hand and a staff in the other. His face is twisted in effort, and a pair of oversized wings sprout from his back, suggesting a struggle to advance. The composition is set against a pale beige backdrop with a few additional clouds, conveying a mood of determination amid difficulty.

Subject & Meaning

The central character, an elderly man with a white beard and dark attire, is an allegorical representation of Time. By depicting Time laboring with a scythe—a traditional symbol of mortality—and a stick, Daumier satirically comments on the notion that even the inexorable force of time feels compelled to keep up with contemporary fashions, highlighting the absurdity of societal preoccupations.

Technique & Style

Executed as a lithograph, the work showcases Daumier’s mastery of the medium, employing bold line work and tonal contrasts to render the figure’s strained expression and the airy cloudscape. While rooted in the realist tradition of depicting everyday subjects, the loose handling of form and emphasis on atmospheric effect also echo early impressionist concerns with light and movement.

History & Provenance

Daumier produced the print during a prolific period of contribution to satirical journals such as *La Caricature* and *Le Charivari*. Though originally intended for publication, the lithograph later entered private collections and has been exhibited in institutions focusing on 19th‑century French printmaking, reflecting its continued relevance to studies of political caricature.

Context

The image emerges from a France marked by republican ideals and frequent clashes between the press and the ruling elite. Daumier’s republican sympathies informed his frequent critiques of monarchy, aristocracy, and clergy, and this piece extends that critique to the abstract forces of history, using humor to expose the vanity of contemporary trends.

Artist & collection

Portrait of Honoré Daumier

Artist

Honoré Daumier

Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.