Who painted Venus and Cupid on the Sea Riding on Dolphins?

Venus and Cupid on the Sea Riding on Dolphins was painted by Marco Dente.

Where can I see Venus and Cupid on the Sea Riding on Dolphins?

Venus and Cupid on the Sea Riding on Dolphins is held by Victoria and Albert Museum.

Artwork

Venus and Cupid on the Sea Riding on Dolphins

Venus and Cupid on the Sea Riding on Dolphins is a print by Marco Dente. It is held in the collection of the Victoria and Albert Museum.

About this work

The woman, positioned on the right, is nude and adorned with a crown, while the child, situated on the left, is also nude and holds a trident.

The painting depicts a woman and a child riding on the backs of two dolphins in the sea. The woman, positioned on the right, is nude and adorned with a crown, while the child, situated on the left, is also nude and holds a trident. A sea monster's head is visible in the foreground, and a cityscape is visible in the background. The sky above features clouds and a figure emerging from them.

The painting showcases a mythological scene, with the woman and child likely representing Venus and Cupid. The use of dolphins as mounts adds a touch of fantasy to the composition.

The painting is attributed to Marco Dente, an artist known for his work in the early 16th century. To learn more about Dente's style and technique, explore the works of artist Dente, Marco.

Overview

Venus and Cupid on the Sea Riding on Dolphins is a print on paper created by Marco Dente around 1550. It is a second-state impression with the publisher's address 'Ant. Sal. Exc.'

Subject & Meaning

The print depicts Venus and Cupid riding dolphins across the sea, based on a design by Raphael. The scene is mythological, with Venus and Cupid represented as a nude woman and child, accompanied by a sea monster and a cityscape in the background.

Technique & Style

The print showcases a fantastical composition, with the use of dolphins as mounts adding to its imaginative quality. The work reflects the style of Raphael, who designed the original image.

History & Provenance

The print is attributed to Marco Dente, an artist active in the early 16th century. The inclusion of the publisher's address suggests it was produced for commercial distribution.