Artwork
Drawing of a bull

Drawing of a bull is a drawing by the Romanticist artist Edwin Landseer. It dates from 1812 and is held in the collection of the Victoria and Albert Museum. This early 19th‑century drawing presents the head of a bull turned toward the left.
About this work
Overview
This early 19th‑century drawing presents the head of a bull turned toward the left. The animal’s mouth is open and its ears are raised, giving the impression of alertness. Executed in fine lines and subtle shading, the work captures the creature’s form with a degree of realism that reflects the artist’s observational skill.
Subject & Meaning
The study focuses on the bull’s physiognomy, emphasizing its powerful jaw and attentive ears. By isolating the head, the artist draws attention to the animal’s character and vitality, inviting viewers to consider the strength and temperament traditionally associated with bovine subjects in rural and agricultural contexts.
Technique & Style
Rendered with delicate graphite strokes, the drawing employs cross‑hatching to model volume and convey the texture of the bull’s hide. Varying line density creates a gradual transition from light to shadow, producing a three‑dimensional effect that suggests depth without the use of color.
History & Provenance
Created in 1812, the drawing belongs to a group of early works once part of the Sheepshanks collection, as noted by the inscription on its mounting. The Sheepshanks bequest, assembled in the 19th century, contributed numerous drawings to public institutions, and this piece entered the museum’s holdings through that donation.
Context
The work dates from the period when the artist was developing his reputation for animal studies, a genre that would later define his career. Such preparatory sketches were common practice for artists seeking to master anatomy and movement before undertaking larger compositions.
Artist & collection
Artist
Sir Edwin Henry Landseer was an English painter and sculptor, well known for his paintings of animals – particularly horses, dogs, and stags. His best-known work is the lion sculptures at the base of Nelson's Column in Trafalgar Square.
















