The Holy Family in Glory with Saints Francis of Paola and Aloysius Gonzaga

Capella employed chiaroscuro to dramatic effect, using strong contrasts between light and dark to imbue the floating figures with a sense of glow against a deep, cloudy backdrop, enhancing the scene's depth and emotional resonance.

Originally commissioned for a religious context, likely in Bergamo given the artist's clientele, the painting is now part of the Museum of Fine Arts, Boston's collection.

Reflecting Capella's training under Giovanni Battista Piazzetta, the work blends traditional Venetian religious themes with Baroque lighting techniques, tailored for contemplation in a sacred or state-sponsored setting.

While not widely known beyond regional art historical circles, the painting exemplifies late Baroque religious art's enduring appeal through its expressive use of light and composition.