Who painted Autoportret?

Autoportret was painted by Ion Georgescu in 1887.

Where can I see Autoportret?

Autoportret is held by National Museum of Art of Romania.

What movement is Autoportret?

Autoportret is associated with Impressionism.

Artwork

Autoportret

Ion Georgescu , 1887

Autoportret is an unspecified painting by the Impressionist artist Ion Georgescu. It dates from 1887 and is held in the collection of the National Museum of Art of Romania.

About this work

The colors are bold but uneven, like a quick sketch rather than a polished work.

This is a loose, watercolor-style portrait of a man with a mustache. He wears a bright, patterned turban and a dark jacket with faint stripes. The brushstrokes are quick and sketchy, leaving some areas blurry.

The signature in the corner says "I. Georgescu 1887," hinting this is a self-portrait. The colors are bold but uneven, like a quick sketch rather than a polished work.

Next, look up Georgescu, Ion to see more of his loose, expressive style.

Overview

Ion Georgescu’s 1887 self‑portrait presents a loosely rendered figure rendered in a watercolor‑like manner. The composition centers on a man with a moustache, dressed in a vivid patterned turban and a dark, subtly striped jacket. The artist’s signature, “I. Georgescu 1887,” appears in the lower corner, confirming the work as a self‑representation created in the late nineteenth century.

Subject & Meaning

The portrait captures the artist’s own likeness, emphasizing personal identity through distinctive attire—a bright turban that contrasts with the muted jacket. The choice of costume may reflect cultural influences or a desire to present a stylized persona, while the direct gaze invites viewers to consider the artist’s self‑perception at this stage of his career.

Technique & Style

Executed with rapid, sketchy brushstrokes, the work resembles a watercolor wash despite being a painted image. Colors are applied boldly yet unevenly, creating areas of softness and deliberate blur. This loose handling underscores Georgescu’s expressive approach, favoring spontaneity over meticulous finish, and highlights his interest in capturing immediacy of gesture.

History & Provenance

Created in 1887, the piece bears the artist’s handwritten signature, indicating personal authorship. While specific ownership records are limited, the work is catalogued as part of Georgescu’s early output, illustrating his developmental phase before later, more refined productions.