Who painted Genealogical Tree of Christ?

Genealogical Tree of Christ was painted by German 15th Century in 1470.

Where can I see Genealogical Tree of Christ?

Genealogical Tree of Christ is held by National Gallery of Art.

What movement is Genealogical Tree of Christ?

Genealogical Tree of Christ is associated with Renaissance.

Artwork

Genealogical Tree of Christ

German 15th Century , 1470

Genealogical Tree of Christ is an ink print by the Renaissance artist German 15th Century. It dates from 1470 and is held in the collection of the National Gallery of Art. The work is a hand‑colored woodcut depicting a compact, symbolic scene.

About this work

Overview

The work is a hand‑colored woodcut depicting a compact, symbolic scene. A crucified figure stands centrally beneath two leafy branches, flanked by kneeling angels. Below, three individuals sit on a low wall, two gazing upward and one holding a book, their hands linked. The composition relies on flat planes of red, green, yellow and brown, without gradation.

Subject & Meaning

The central crucifixion references Christ’s death, while the surrounding figures suggest a genealogical or theological lineage, possibly indicating the transmission of faith across generations. The book held by one of the seated figures may signify scriptural authority, and the linked hands emphasize communal or familial bonds.

Technique & Style

Executed as a woodcut, the image was carved from a single block, producing the characteristic stiff, blocky outlines. After printing, the design was hand‑colored with red lake and other pigments, resulting in vivid, uniform color fields that lack modeling or shading, typical of early printmaking.

History & Provenance

The piece belongs to the tradition of early modern religious prints, where hand‑colored woodcuts were used for devotional purposes. Its specific origin and ownership trail are not documented in the provided information.

Context

Woodcuts of this type were commonly produced for private contemplation or as illustrative aids in religious instruction during the period when print technology expanded access to biblical imagery.