Allegorie der Befreiung vom Joch des Islam (Frieden und Glück unter Johann Wilhelm von der Pfalz)

Pellegrini's style in this work blends Renaissance influences (notably from Paolo Veronese) with Baroque elements (echoing Pietro da Cortona and Luca Giordano). Strong chiaroscuro creates dramatic contrasts, highlighting faces and hands against a shadowy background illuminated by a faint, divine glow.

Created in 1714, the painting is part of the collection at the Alte Pinakothek. Its commission context is not detailed here, but it reflects Pellegrini's active career as a history painter in the early 18th century.

As a Rococo allegory, the painting reflects the artistic trends of its time, emphasizing symbolic storytelling and emotional depth. It also touches on the political and religious themes of liberation from Islamic rule, though presented in a broadly symbolic rather than literal manner.

While specific influences of this work on later artists are not highlighted, it contributes to the broader legacy of Pellegrini's fusion of Renaissance and Baroque styles in Venetian painting of the era.