Who painted A Tale of Valor at Iga Pass?

A Tale of Valor at Iga Pass was painted by Gosōtei Hirosada in 1850.

Where can I see A Tale of Valor at Iga Pass?

A Tale of Valor at Iga Pass is held by Cleveland Museum of Art.

What movement is A Tale of Valor at Iga Pass?

A Tale of Valor at Iga Pass is associated with Romanticism.

Artwork

A Tale of Valor at Iga Pass

Gosōtei Hirosada , 1850

A Tale of Valor at Iga Pass is a print by the Romanticist artist Gosōtei Hirosada. It dates from 1850 and is held in the collection of the Cleveland Museum of Art.

About this work

Overview

A Tale of Valor at Iga Pass, circa 1850, is a print by Japanese artist Gosōtei Hirosada, now part of The Cleveland Museum of Art's collection. The work depicts a dramatic scene with three central figures set against a detailed background.

Subject & Meaning

The print shows three individuals in a tense scenario: a blue-clad man holding a fan and inscribed object, a kneeling woman in light robes with a child, and a somber, dark-clothed man. The composition suggests a narrative of valor, possibly involving a difficult decision or heroic act, though the specific story remains implicit.

Technique & Style

Characterized by bright, vibrant colors and bold lines, the print exemplifies a dynamic visual approach. The use of contrasting colors (notably the blue, light robes, and dark attire) and the detailed environment (wooden gate, tree, red and white building accents) enhance the scene's intensity.

History & Provenance

Created around 1850 by Gosōtei Hirosada, the print's history prior to its acquisition by The Cleveland Museum of Art is not detailed here. It represents a work from Japan's mid-19th-century printmaking tradition.

Context

While stylistic comparisons to Western Romanticism are noted for viewers, the work itself is rooted in Japanese ukiyo-e traditions of the Edo period, emphasizing dramatic storytelling and vivid imagery.

Legacy

As part of a prominent museum collection, 'A Tale of Valor at Iga Pass' contributes to the global appreciation of Japanese printmaking, particularly the works of Gosōtei Hirosada, though its specific influence or reception history is not elaborated here.