Artwork

Entombment of Christ (Matthew 27:59–61; Mark 15:46–47; Luke 23:53–56; John 19:38–42)

Entombment of Christ (Matthew 27:59–61; Mark 15:46–47; Luke 23:53–56; John 19:38–42), by Hendrik Goltzius, tempera, 1597
Entombment of Christ (Matthew 27:59–61; Mark 15:46–47; Luke 23:53–56; John 19:38–42), by Hendrik Goltzius, tempera, 1597

Entombment of Christ (Matthew 27:59–61; Mark 15:46–47; Luke 23:53–56; John 19:38–42) is a tempera painting by the Northern Renaissance artist Hendrik Goltzius. It dates from 1597 and is held in the collection of the National Museum in Warsaw. Hendrick Goltzius’s *Entombment of Christ* is a tempera painting executed circa 1597.

About this work

Overview

Hendrick Goltzius’s *Entombment of Christ* is a tempera painting executed circa 1597. The work presents the biblical moment when Christ’s body is laid in the tomb, surrounded by mourners. Rendered in muted earth tones and restrained coloration, the composition conveys a solemn atmosphere. The painting is part of the National Museum’s collection in Warsaw.

Subject & Meaning

The scene follows the Gospel accounts of Christ’s burial, showing a pallid figure reclined on a shroud while a woman in blue gently touches his arm. Other figures—both standing and crouching—express grief through downward gazes and restrained gestures. The inclusion of two diminutive figures above a rocky wall adds a subtle narrative layer, perhaps alluding to divine presence.

Technique & Style
The composition reflects the artist’s early adherence to Northern Renaissance conventions before his later Mannerist experiments.

Created in tempero, Goltzius employs a limited palette of earthy reds, subdued greens, and pale flesh tones. The medium’s quick‑drying quality yields crisp outlines and simplified forms, emphasizing the weight of the moment through strong linear modeling rather than delicate shading. The composition reflects the artist’s early adherence to Northern Renaissance conventions before his later Mannerist experiments.

History & Provenance

The painting was produced during Goltzius’s formative period in the late sixteenth century, when he was establishing his reputation in the Dutch artistic milieu. It entered the National Museum in Warsaw’s holdings in the twentieth century, where it remains on display as part of the museum’s European painting collection.

Context

Goltzius, a German‑born Dutch painter and printmaker, was renowned for his technical skill and inventive compositions. While he later became a leading figure in Northern Mannerism, this work demonstrates his engagement with traditional religious subjects using conventional media. The *Entombment* thus illustrates a transitional moment in his career, bridging Renaissance realism and the emerging stylized aesthetic of his later oeuvre.

Artist & collection

Portrait of Hendrik Goltzius

Artist

Hendrik Goltzius

Hendrick Goltzius (German: , Dutch: ; né Goltz; January or February 1558 – 1 January 1617) was a German-born Dutch printmaker, draftsman, and painter.