Artwork
The Meeting of Esther and Ahasuerus

The Meeting of Esther and Ahasuerus is a print by Wenceslaus Hollar. It dates from 1650 and is held in the collection of the Victoria and Albert Museum.
About this work
Overview
Wenceslaus Hollar’s 1650 engraving, titled *The Meeting of Esther and Ahasuerus*, translates a composition originally painted by Paolo Veronese into a paper print. The work captures the biblical encounter between Queen Esther and King Ahasuerus, rendered in a densely populated setting that emphasizes the ceremony’s public nature.
Subject & Meaning
The scene centers on a regal woman in a flowing gown standing beside a seated monarch on a raised dais, symbolizing Esther’s bold approach to the king. Surrounding figures—courtiers, attendants, and onlookers—underscore the political stakes of the narrative, while the inclusion of a dog and various military and civilian characters adds a layer of everyday realism to the biblical moment.
Technique & Style
Hollar employed fine line engraving to reproduce Veronese’s vivid color palette in monochrome, achieving depth through intricate hatching and cross‑hatching. The print’s crowded composition, with figures positioned on multiple planes—including a balcony above the main group—demonstrates the artist’s skill in translating a complex, multi‑figure painting into a clear, printable format.
History & Provenance
Created in the mid‑17th century, the print reflects the period’s demand for reproductions of celebrated Italian paintings. Hollar, a prolific Bohemian engraver active in England, often worked from the designs of leading painters, and this piece illustrates his role in disseminating Veronese’s work beyond Italy. The print is now part of the Victoria and Albert Museum’s collection.
Artist & collection
Artist
Wenceslaus Hollar (Czech: Václav Hollar (Czech pronunciation: ), German: Wenzel Hollar; 23 July 1607 – 25 March 1677) was a Czech engraver, etcher and painter.












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