Artwork
Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. The work is a painted folio from the illustrated manuscript known as *Tales of a Parrot* (Tuti‑nama).
About this work
Overview
The work is a painted folio from the illustrated manuscript known as *Tales of a Parrot* (Tuti‑nama). Executed on paper, the page functions as both narrative illustration and decorative object, featuring a crowded interior scene rendered in vivid pigments and intricate ornamentation.
Subject & Meaning
The composition depicts a gathering of figures around a seated dignitary on an elevated chair. A standing attendant in a green robe flanks the central figure, while several participants recline on the floor in blue and yellow garments, suggesting a communal or ceremonial occasion recorded in the text.
Technique & Style
The artist employed opaque water‑based pigments to achieve saturated reds, greens, blues, and yellows, outlined with fine brushwork. Gold leaf or powdered gold accents highlight the background, which is divided into a blue‑white field enlivened by geometric motifs, creating a richly patterned surface typical of Persian miniature traditions.
History & Provenance
The folio originates from an early modern Persian manuscript, likely produced in the 16th or 17th century. It entered the collection of the Cleveland Museum of Art through acquisition in the 20th century, where it is catalogued as a representative example of illustrated literary works from the region.
Context
*Tuti‑nama* is a collection of moral tales narrated by a parrot, a popular genre in Persian literature that combined didactic storytelling with lavish visual accompaniment. The page reflects the manuscript’s function as both a teaching tool and a status object for elite patrons.
Legacy
As a surviving example of miniature painting on paper, the folio offers insight into the materials, aesthetic preferences, and narrative conventions of its cultural milieu, informing contemporary scholarship on Persian book arts.
Artist & collection









