Artwork

The young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night

The young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night, unspecified, 1560
The young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night, unspecified, 1560

The young prince is presented to the king, his father, by his teacher, but refuses to speak, from a Tuti-nama (Tales of a Parrot): Eighth Night is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. The work illustrates a ceremonial introduction in which a young prince is brought before his father, the king, by his teacher.

About this work

Overview

The work illustrates a ceremonial introduction in which a young prince is brought before his father, the king, by his teacher. The prince sits on an elaborately patterned rug, while the monarch occupies a throne‑like seat draped in yellow and blue fabric. The scene is populated by the teacher and additional attendants, set against a blue sky dotted with trees and a modest table bearing vases.

Subject & Meaning

The narrative derives from the eighth night of the Tuti‑nama, a collection of parrot tales, and captures the moment of deference and silence as the prince, despite the formal presentation, refuses to speak. This gesture underscores themes of obedience, authority, and the educational role of the teacher within the royal court.

Technique & Style

The painter employs a vivid palette of red, yellow, blue, and green, creating a lively visual rhythm. Intricate patterns on textiles and rugs are rendered with fine brushwork, adding texture and depth. The composition balances figures and landscape, using a clear, decorative style characteristic of manuscript illustration adapted to a standalone painting.

History & Provenance

The piece originates from the illustrated tradition of the Tuti‑nama, a Persian literary work that circulated widely in the Islamic world. Though specific details of its creation and ownership are not recorded, it reflects the artistic conventions of courtly manuscript painting that were later transferred to panel formats.

Artist & collection

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.