Artwork

The parrot addresses Khujasta at the beginning of the thirty-second night, from a Tuti-nama (Tales of a Parrot)

The parrot addresses Khujasta at the beginning of the thirty-second night, from a Tuti-nama (Tales of a Parrot) is an unspecified painting by Unknown. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. This painting depicts a scene from the *Tuti-nama* (Tales of a Parrot), specifically the beginning of the thirty-second night.

About this work

Overview

This painting depicts a scene from the *Tuti-nama* (Tales of a Parrot), specifically the beginning of the thirty-second night. A woman, dressed in blue, stands outside a distinctive red brick building adorned with a dome and a small tower. Her attention is focused on a caged parrot, to which she gestures with a fan in hand.

Subject & Meaning

The central subject is the interaction between the woman, Khujasta, and the parrot. The parrot, likely narrating a tale as per the *Tuti-nama*'s theme, holds the woman's attention, suggesting a moment of storytelling or advice-giving, common in the parrot's role within the narrative.

Technique & Style

The painting features a light blue sky with faint clouds, set against a patterned border, indicative of traditional Indian miniature styles. The use of vibrant colors (notably the blue dress and red brick building) and the flowing script above the scene further emphasize this stylistic affiliation.

Context

Part of a *Tuti-nama* manuscript, this work is rooted in Indian literature and art, where the *Tuti-nama* tales were popular. The story revolves around a parrot's tales to distract a wife from infidelity, reflecting themes of love, fidelity, and wisdom.

Legacy

As part of the *Tuti-nama* illustrations, this painting contributes to the visual heritage of Indian miniature painting, influencing subsequent artistic interpretations of literary works in the region.