Artwork

The king of Bahilistan offers his daughter to the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night

The king of Bahilistan offers his daughter to the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night, unspecified, 1560
The king of Bahilistan offers his daughter to the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night, unspecified, 1560

The king of Bahilistan offers his daughter to the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. The work illustrates a narrative episode from the seventh night of a Tuti‑nama, a collection of parrot‑told tales.

About this work

Overview

The work illustrates a narrative episode from the seventh night of a Tuti‑nama, a collection of parrot‑told tales. A royal delegation is gathered around a checkered object, with figures in vivid red, blue, white and a red hat, set against a richly colored backdrop of green, purple and blue that suggests an interior or palace setting.

Subject & Meaning

The scene depicts the king of Bahilistan presenting his daughter to the supreme ruler, a motif drawn from the story’s diplomatic marriage proposal. The gestures—one figure pointing to the object, another holding it—convey the exchange of a symbolic token, emphasizing themes of alliance and tribute within the tale.

Technique & Style

Executed in a miniature painting tradition, the piece employs fine brushwork to render intricate textile patterns and architectural details. A bright, saturated palette heightens the visual drama, while the flat, decorative background and stylized figures reflect the conventions of Persian manuscript illustration.

History & Provenance

The painting originates from a manuscript of the Tuti‑nama, a popular Persian literary work that circulated from the 15th to 18th centuries. Its precise date and creator remain unidentified, but the style aligns with courtly productions intended for elite patrons.

Context

Tuti‑nama illustrations often served both decorative and didactic purposes, visualizing moral lessons embedded in the parrot’s stories. This particular episode underscores the political significance of marriage alliances in the region’s historical narratives.

Artist & collection

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.