Artwork

Johanna van Rijswijk (b. 1715), Wife of Jan Hendrik van Rijswijk

Johanna van Rijswijk (b. 1715), Wife of Jan Hendrik van Rijswijk, by Isaac Lodewijk la Fargue van Nieuwland, unspecified, 1754
Johanna van Rijswijk (b. 1715), Wife of Jan Hendrik van Rijswijk, by Isaac Lodewijk la Fargue van Nieuwland, unspecified, 1754

Johanna van Rijswijk (b. 1715), Wife of Jan Hendrik van Rijswijk is an unspecified painting by the Rococo painting artist Isaac Lodewijk la Fargue van Nieuwland. It dates from 1754 and is held in the collection of the Rijksmuseum.

About this work

Overview

Painted in 1754 by Isaac Lodewijk la Fargue van Nieuwland, this half-length portrait depicts Johanna van Rijswijk, wife of Jan Hendrik van Rijswijk.

Painted in 1754 by Isaac Lodewijk la Fargue van Nieuwland, this half-length portrait depicts Johanna van Rijswijk, wife of Jan Hendrik van Rijswijk. The sitter is presented against a neutral, dark background, wearing a pale blue silk dress with a white lace fichu and a powdered white wig typical of mid-eighteenth-century Dutch fashion. She holds a closed black fan in her right hand, resting it against her waist, while her left hand remains obscured. Her gaze meets the viewer directly with a composed, steady expression. The work was executed as a pendant to a portrait of her husband, Jan Hendrik, painted by the same artist in the same year. These paired portraits were likely commissioned to celebrate their marriage or to document their status as a couple within the Dutch merchant class. La Fargue van Nieuwland, known for his precise yet restrained portraiture, captures the sitter with a quiet dignity, emphasizing texture in the fabrics and the soft modeling of the face. The painting reflects the conventions of Dutch portraiture of the period, balancing individual likeness with formal elegance. It remains a significant example of the artist's output during his mature period in Leiden.

Subject & Meaning

Johanna is presented as the spouse of Jan Hendrik van Rijswijk, emphasizing her status within a marital partnership. The inclusion of the fan, a common accessory of the period, underscores notions of elegance and domestic refinement.

Technique & Style

Executed in oil on canvas, the portrait employs a restrained palette dominated by cool blues and muted tones. The brushwork conveys the texture of the silk dress and the delicate sheen of the fan, while the lighting subtly models her facial features.

History & Provenance

The painting was created as a pendant to the portrait of Jan Hendrik van Rijswijk (catalogued as SK‑A‑637). The two works were intended to be displayed together, forming a visual dialogue between husband and wife.

Context

Portraits of married couples were a common genre in the early eighteenth century, serving both as records of lineage and as affirmations of social standing. The composition reflects contemporary conventions for depicting women of the Dutch bourgeoisie.

Artist & collection

Rijksmuseum

Museum

Rijksmuseum

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This work is in the public domain (CC0). Image source: Rijksmuseum open access. Spotted an error in this record? Tell us.