Who painted The Raising of Lazarus?

The Raising of Lazarus was painted by John Baptist Jackson in 1742.

Where can I see The Raising of Lazarus?

The Raising of Lazarus is held by National Gallery of Art.

What movement is The Raising of Lazarus?

The Raising of Lazarus is associated with Baroque.

Artwork

The Raising of Lazarus

John Baptist Jackson , 1742

The Raising of Lazarus is an ink print by the Baroque artist John Baptist Jackson. It dates from 1742 and is held in the collection of the National Gallery of Art.

About this work

Overview

The Raising of Lazarus is a 1742 chiaroscuro woodcut in black by John Baptist Jackson, serving as a trial proof of the key block. This print exemplifies Jackson's technical experimentation within the medium.

Subject & Meaning

Depicting a somber biblical scene, the print shows Lazarus being lifted from his tomb surrounded by onlookers, including a woman reaching out in the foreground. The mood is one of awe and solemnity.

Technique & Style

Jackson utilized chiaroscuro to create depth and drama, with light emanating from the top-left. The woodcut technique adds texture and roughness, contributing to the work's expressive quality. Jackson was known for innovating with overprinting and oil-based inks, though these elements are not highlighted in this specific trial proof.

History & Provenance

Created in 1742, this trial proof reflects Jackson's period of activity in Paris and Venice, where he primarily produced prints after oil paintings, distinguishing his approach from ink-and-wash inspirations.

Context

As a British artist working predominantly in Paris and Venice, Jackson's work, including *The Raising of Lazarus*, sits at the intersection of European artistic influences of the 18th century, blending technical innovation with traditional biblical themes.

Legacy

This woodcut contributes to Jackson's legacy as a technically innovative printmaker, though the broader impact of *The Raising of Lazarus* on the artistic landscape of its time is less defined, reflecting instead his personal exploration of chiaroscuro and woodcut techniques.