Artwork
Anne-Louis de Thiard, marquis de Bissy (1715-1748), maître de camp général de la cavalerie en 1748

Anne-Louis de Thiard, marquis de Bissy (1715-1748), maître de camp général de la cavalerie en 1748 is an oil painting by the Realist artist Joseph Albrier. It dates from 1846 and is held in the collection of the Palace of Versailles. This oil painting portrays Anne-Louis de Thiard, marquis de Bissy, a high-ranking French cavalry officer, as maître de camp général in 1748.
About this work
Overview
This oil painting portrays Anne-Louis de Thiard, marquis de Bissy, a high-ranking French cavalry officer, as maître de camp général in 1748. The work is part of the Palace of Versailles collection.
Subject & Meaning
The subject, depicted with dignified formality, is identified by his elaborate military attire: a red and gold jacket with a blue sash, a white star on his chest, a staff, and a sword. These elements signify his noble and elevated military status.
Technique & Style
Executed in a straightforward, Realist manner, characteristic of 19th-century portraiture, the painting features a notable use of impasto, evident in the thick, textured layers of paint. The composition contrasts the subject's formal pose against a softer, cloudy sky backdrop.
History & Provenance
Painted by Joseph Albrier, a pupil of Jean-Baptiste Regnault, in 1846, nearly a century after the subject's tenure. The artwork has been part of the Palace of Versailles' collection.
Context
Created during the 19th century, the portrait reflects the period's Realist portraiture trends while honoring the historical military figure of the 18th century, bridging two eras in its conception and subject matter.
Legacy
As part of the Versailles collection, the portrait contributes to the historical and artistic narrative of French military and noble heritage, offering insight into both the subject's era and the artistic practices of the painter's time.
Artist & collection
Artist
Gilles Marie Joseph Albrier (4 October 1791 – March 1863) was a French painter who specialised in portrait painting. He was a student of Jean-Baptiste Regnault. He exhibited at the Salon in 1819, 1822, 1824, 1827 and 1836.
















