María Luisa Gabriela de Saboya primera esposa de Felipe V

Miranda employed chiaroscuro, juxtaposing María Luisa's brightly illuminated, intricately detailed clothing against a dark background, accentuating her presence. The artist's adaptation due to his physical condition (born without a right hand) did not hinder the piece's execution, as evidenced by the meticulous rendering of textures and the subtle play of light.

Created in the early 18th century, the painting is now part of the Museo del Prado's collection. Miranda's role as Painter to the King contextualizes the work within the royal court's artistic patronage of the time.

The painting reflects the Baroque aesthetic prevalent in early 18th-century Spain, characterized by dramatic lighting and attention to detail. Miranda's background in devotional art influenced his approach to secular subjects, lending a sense of solemnity to the portrait.

While primarily known for his religious works, this portrait demonstrates Miranda's skill in capturing the essence of royal subjects. The piece contributes to the broader legacy of Spanish Baroque painting, though its impact is more nuanced compared to his devotional pieces.